• Fosses à Oiseaux :

Parts 1 to 12.

for ensemble (10 musicians) & electronics.

2010/2012.

≈ 45min

• Tresses flatio :

for 3 hotteterre flutes (renaissance), 392hz.

2011.

≈ 9min

• Fibra origo :

for 3 hotteterre flutes (renaissance) & basse de viole, 392hz.

2012.

≈ 12min

• Abel :

for grand ensemble (2 quintets + percussions) & electronics.

2011/2013.

≈ 10min

• Mondmilch :

for 4 musicians & electronics.

2013.

≈ 16min

• Shale/Schiste :

for 4 musicians & electronics.

2013.

≈ 11min

• Myriades :

Myriade I, II, & III.

for 4 and/or 12 children.

Based on half-opened forms for cellos and doublebass.

2013.

≈ 12min

• A woman bathing in a stream :

Haptomai 1, 2 & 3.

for ensemble (8 musicians) & electronics.

2013.

≈ 21min

• Unbounded love ≈ Antiphona mater :

for grand ensemble (14 musicians) & electronics.

2013.

≈ 9min

• De anatomische Engel :

for ensemble (6 musicians) & electronics.

2013/2014.

≈ 18min

• Le déchirèrent, chantant encore, et çà et là…:

(Tombeau de P.P.Pasolini, Vol I ).

for ensemble (7 musicians) & electronics.

2014.

≈ 18min

• Le Miroir :

Pierrot Rewrite project.

miniature for ensemble (6 musicians).

2014.

≈ 3min

• Egac partiels :

for string quartet & electronics (+ transducers).

2015.

≈ 27min

• Apicale :

for grand piano (+ 1 midi keyboard) & electronics (+ transducers). 2015/2016.

≈ 18min

• Hiera picra Hellébores :

for 7 strings electric guitar (baritone tune) & electronics.

2016/2017.

≈ 15min

• Regarde les colonnes :

for grand piano & electronics.

2017/2018.

≈ 11min

• Unfinished Altar :

for 5 voices & electronics.

2018.

≈ 13min

• #1 Kutra Bégulma / #2 Unfinishdew Orthothena :

Mvnts I, II & III.

for ensemble (9 musicians) & electronics.

2018/2019.

≈ 30min

• #9 Kutra Bégulma :

Song Taleas I, II & III (fragments).

for 3 voices & electronics.

2018/2019.

≈ 7min

• Pour que les Cœurs mûrissent cet été :

Aria II & I.

for ensemble (6 musicians) & electronics.

2019.

≈ 12min

• #9 Kutra Bégulma, Talea(s) :

Extended version from Taleas I, II & III.

for 5 voices & electronics.

2019.

≈ 11min

• Pour que les Cœurs, An endless summer :

for bass flute, electric guitar, & electronics.

2019.

≈ 13min

• De son étui, la contre-clef (100 years Soulages) :

for 2 voices, contrabass flute, & electronics.

2019.

≈ 9min

• Il sangue del grano {è cosi sconvolto} :

for ensemble (5 musicians) & electronics.

2019/2020.

≈ 27min

• Casvités stellis :

for 3 electric guitars & electronics.

2020/2021.

≈ 33min

• En leurisse, les trois Velés :

for 3 bass recorders & electronics.

2021.

≈ 10min

• Der letzte Mann :

for string ensemble (7 or 16), two paetzold recorders,

& electronics.

UNEARTH production, may 2022.

≈ 1h30min

• Ocher Monday :

for Trio (e-keyboards+prepared piano, cello, bassflute)

& electronics.

2024.

≈ 23min

• Menace :

for ensemble (5 and 7 musicians) & electronics.

UNEARTH & Ensemble 21 coproduction.

2024.

Parts 1 & 2 ≈ 36min

• Così sfogliai una vana rosa :

(Tombeau de P.P.Pasolini, Vol II ).

for ensemble (7 musicians) & electronics.

UNEARTH & Nemø Ensemble coproduction.

2024.

≈ 24min

• IO SO I NOMI :

(Tombeau de P.P.Pasolini, Vol III ),

end of Pasolini cycle.

for ensemble (8 musicians) & electronics.

UNEARTH & Nemø Ensemble coproduction.

2024.

≈ 23min

• Erämaa Trio (no title yet) :

for 3 musicians & electronics.

(e-keyboards+prepared objects, viola, contrabass clarinet)

UNEARTH & Erämaa Trio coproduction.

2024.

≈ 21min

• Kleiste ta Matia :

Part I, Thaumasia quadrangle.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2015.

≈ 16min

• Kleiste ta Matia :

Part II, Odysseus, kissed skin.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2015.

≈ 30min

• Kleiste ta Matia :

Part III, Le gouffre à l’étambot, la célérité de la rampe.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2016.

≈ 14min

• Hiera pirca Hellébores (pre-studio version) :

Based on recording sessions with two electric guitars & electronics.

2016.

≈ 9min

• Unfinished Altar {Jein, pierrot, my own private creatures} :

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles & voci.

2017/2018.

≈ 14min

• K . Fauvarquø morodiannis :

Rouleau de cuivre I & II.

Composed and made out of cells fragment and blocks (live & studio). Based on recording guitar sessions & voices.

2018.

≈ 9min

• Unfinishdew orthothena :

Rouleau de cuivre III.

Composed and made out of cells fragment and blocks (live & studio). Based on recording sessions with Tarentule ensemble

(5 voices & electronics).

2018.

≈ 11min

• Qui le Squiggle :

Mozaik solo. Composed and made out of cells fragment and blocks (live). Based on live electronics & spoken voices.

2019.

≈ 10min

• K . Apicallis Arcano :

Rouleau de cuivre V.

Composed and made out of cells fragment and blocks (live & studio). based on recording piano sessions, spoken voice, & electronics.

2019.

≈ 10min

• TinCh :

Live electronics duo, shared by Timo Kreuser & Christophe Guiraud.

Two intense live electronics, recorded between 2019 and 2020.

Album 2CD, 2LP.

≈ 1h30min (in progress)

• Arçon de Nièze / Terrassement en Andoyries :

Cha I, II, III, & IV.

Virelais album (23 virelais) about Napoli under lava.

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles, voices, & electronics processes.

2020. Album 3CD, 3LP.

≈ 3h

• Arçon de Nièze / Corpuscullis :

MERE, Corpus I, II, III, IV, V, VI, & VII.

Testo « le Traité des amorces » di Julien Boutonnier.

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles, spoken voice, & electronics processes.

2020. Album 3CD, 5LP.

≈ 5h

• Arçon de Nièze / RR5.CE.. Generaddi :

Arçon de Nièce pursues his research on the RR3 message.

Composed and made out of cells fragment and blocks (studio live electronics).

2020/2021.

≈ 3h (in progress)

• Le piace i lembi della ferita e si avvicini :

Act I, II, III, IV, V, VI, in progress..

Operatic form for grand ensemble, voices, & electronics.

Metaphorical version. The piece is a musical sculpture made out of cells fragment and blocks, based on recording sessions with various ensembles and musicians.

2021.

≈ 1h30min (Album CD)

• Vendemmia cycle (Vol I et II ) :

Technomorpheddis Hauntology

𝑻𝒉𝒊𝒔 𝒄𝒂𝒏 𝒃𝒆 𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓𝒆𝒅 𝒂𝒔 𝒂 𝒌𝒊𝒏𝒅 𝒐𝒇 𝒂𝒖𝒈𝒎𝒆𝒏𝒕𝒆𝒅 𝒅𝒊𝒂𝒓𝒚, 𝒄𝒐𝒅𝒆𝒙, 𝒐𝒓 𝒄𝒂𝒓𝒏𝒆𝒕-𝒅𝒆-𝒃𝒐𝒓𝒅.

Long cycle about technomorph matrix, with acoustic instruments and electronic processes. Collection of works, composed between 2020 & 2022.

Written & performed for/by various instrumental ensembles and electronic processes.

in progress..

Vol I ≈ 1h47min (Album 2CD)