From 2009 until ...

• Fosse per Ucelli :

Parts 1 to 12.

for ensemble (10 musicians) & electronics.

2009/2012.

≈ 50min

• Tresses flatio :

for 3 hotteterre flutes (renaissance), 392hz.

2011.

≈ 9min

• Fibra origo :

for 3 hotteterre flutes (renaissance) & basse de viole, 392hz.

2012.

≈ 12min

• Abel :

for grand ensemble (2 quintets + percussions) & electronics.

2011/2013.

≈ 10min

• Mondmilch :

for 4 musicians & electronics.

2013.

≈ 16min

• Shale/Schiste :

for 4 musicians & electronics.

2013.

≈ 11min

• Myriades :

Myriade I, II, & III.

for 4 and/or 12 children.

Based on half-opened forms for cellos and doublebass.

2013.

≈ 12min

• A woman bathing in a stream :

Haptomai 1, 2 & 3.

for ensemble (8 musicians) & electronics.

2013.

≈ 21min

• Unbounded love ≈ Antiphona mater :

for grand ensemble (14 musicians) & electronics.

2013.

≈ 9min

• De anatomische Engel :

for ensemble (6 musicians) & electronics.

2013/2014.

≈ 18min

• Le déchirèrent, chantant encore, et çà et là…:

(Tombeau de P.P.Pasolini, Vol I ).

for ensemble (7 musicians) & electronics.

2014.

≈ 18min

• Le Miroir :

Pierrot Rewrite project.

miniature for ensemble (6 musicians).

2014.

≈ 3min

• Egac partiels :

for string quartet & electronics (+ transducers).

2015.

≈ 27min

• Apicale :

for grand piano (+ 1 midi keyboard) & electronics (+ transducers). 2015/2016.

≈ 18min

• Hiera picra Hellébores :

for 7 strings electric guitar (baritone tune) & electronics.

2016/2017.

≈ 15min

• Regarde les colonnes :

for grand piano & electronics.

2017/2018.

≈ 11min

• Unfinished Altar :

for 5 voices & electronics.

2018.

≈ 13min

• #1 Kutra Bégulma / #2 Unfinishdew Orthothena :

Mvnts I, II & III.

for ensemble (9 musicians) & electronics.

2018/2019.

≈ 30min

• #9 Kutra Bégulma :

Song Taleas I, II & III (fragments).

for 3 voices & electronics.

2018/2019.

≈ 7min

• Pour que les Cœurs mûrissent cet été :

Aria II & I.

for ensemble (6 musicians) & electronics.

2019.

≈ 12min

• #9 Kutra Bégulma, Talea(s) :

Extended version from Taleas I, II & III.

for 5 voices & electronics.

2019.

≈ 11min

• Pour que les Cœurs, An endless summer :

for bass flute, electric guitar, & electronics.

2019.

≈ 13min

• De son étui, la contre-clef (100 years Soulages) :

for 2 voices, contrabass flute, & electronics.

2019.

≈ 9min

• Il sangue del grano {è cosi sconvolto} :

for ensemble (5 musicians) & electronics.

2019/2020.

≈ 27min

• Casvités stellis :

for 3 electric guitars & electronics.

2020/2021.

≈ 33min

• En leurisse, les trois Velés :

for 3 bass recorders & electronics.

2021.

≈ 10min

• Der letzte Mann :

for string ensemble (7 or 16), two paetzold recorders,

& electronics.

2022.

≈ 1h30min

• Ocher Monday :

for Trio (e-keyboards+piano, cello, bassflute)

& electronics.

2023.

≈ 23min

• Menace :

for ensemble (5 musicians) & electronics.

2023/24.

≈ 21min

• Ex Abrupto :

for 3 musicians & electronics.

(e-keyboards, viola, bass & contrabass clarinets)

2024.

≈ 23min

• Così sfogliai una vana rosa :

(Tombeau de P.P.Pasolini, Vol II ).

for ensemble (7 musicians) & electronics.

2024/25.

≈ 24min

• IO SO I NOMI :

(Tombeau de P.P.Pasolini, Vol III ),

end of Pasolini cycle.

for ensemble (8 musicians) & electronics.

2024/25.

≈ 23min

From 2010 until ...

• Kleiste ta Matia :

Part I, Thaumasia quadrangle.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2015. Sub Rosa 2017.

≈ 16min

• Kleiste ta Matia :

Part II, Odysseus, kissed skin.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2015. Sub Rosa 2017.

≈ 30min

• Kleiste ta Matia :

Part III, Le gouffre à l’étambot, la célérité de la rampe.

The piece is a musical sculpture made out of cells fragment and blocks. based on recording sessions with various ensembles.

2016. Sub Rosa 2017.

≈ 14min

• Hiera pirca Hellébores (pre-studio version) :

Based on recording sessions with two electric guitars & electronics.

2016. Sub Rosa 2017.

≈ 9min

• Unfinished Altar {Jein, pierrot, my own private creatures} :

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles & voci. 2017/2018. Sub Rosa 2020.

≈ 14min

• K . Fauvarquø morodiannis :

Rouleau de cuivre I & II.

Composed and made out of cells fragment and blocks (live & studio). Based on recording guitar sessions & voices.

2018. UNEARTH 2021.

≈ 9min

• Unfinishdew orthothena :

Rouleau de cuivre III.

Composed and made out of cells fragment and blocks (live & studio). Based on recording sessions with Tarentule ensemble

(5 voices & electronics).

2018. Sub Rosa 2020.

≈ 11min

• Qui le Squiggle :

Mozaik solo. Composed and made out of cells fragment and blocks (live). Based on live electronics & spoken voices.

2019. UNEARTH 2021.

≈ 10min

• K . Apicallis Arcano :

Rouleau de cuivre V.

Composed and made out of cells fragment and blocks (live & studio). based on recording piano sessions, spoken voice, & electronics. 2019. UNEARTH 2021.

≈ 10min

• TinCh :

Live electronics duo, shared by Timo Kreuser & Christophe Guiraud.

Two intense live electronics, recorded between 2019 and 2020.

Album 2CD, 2LP. UNEARTH 2021.

≈ 1h30min

• Arçon de Nièze / Terrassement en Andoyries :

Cha I, II, III, & IV.

Virelais album (23 virelais) about Napoli under lava.

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles, voices, & electronics processes.

2020. Album 3CD, 3LP. UNEARTH 2022.

≈ 3h

• Arçon de Nièze / Corpuscullis :

MERE, Corpus I, II, III, IV, V, VI, & VII.

Testo « le Traité des amorces » di Julien Boutonnier.

Composed and made out of cells fragment and blocks (live & studio). based on recording sessions with various ensembles, spoken voice, & electronics processes.

2020. Album 3CD, 5LP. UNEARTH 2022.

≈ 5h

• Le piace i lembi della ferita e si avvicini :

Act I, II, III, IV, V, VI, in progress..

Operatic form for grand ensemble, voices, & electronics.

Metaphorical version. The piece is a musical sculpture made out of cells fragment and blocks, based on recording sessions with various ensembles and musicians.

2021. UNEARTH 2022.

≈ 1h30min (Album CD)

• Vendemmia cycle (Vol I) :

Technomorpheddis Hauntology

𝑻𝒉𝒊𝒔 𝒄𝒂𝒏 𝒃𝒆 𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓𝒆𝒅 𝒂𝒔 𝒂 𝒌𝒊𝒏𝒅 𝒐𝒇 𝒂𝒖𝒈𝒎𝒆𝒏𝒕𝒆𝒅 𝒅𝒊𝒂𝒓𝒚, 𝒄𝒐𝒅𝒆𝒙, 𝒐𝒓 𝒄𝒂𝒓𝒏𝒆𝒕-𝒅𝒆-𝒃𝒐𝒓𝒅.

Long cycle about technomorph matrix, with acoustic instruments and electronic processes. Collection of works, composed between 2020 & 2022.

Written & performed for/by various instrumental ensembles and electronic processes. UNEARTH 2022.

Vol I ≈ 1h47min (Album 2CD)

• Arçon de Nièze / ORAGE {gen~} :

ORAGE [gen~] is a new project managed by Arçon de Nièze, focused on electronic generative music. Located between the blank sound source and the bursting of electronic generators, dance and harmonic correlations.

"Six missing" album

sept 2023. UNEARTH 2023.

≈ 50min (Album CD)